Two photographic printing processes are used, selected based on the character, tonal range, and intent of each photograph.

Chromogenic photographic prints are produced using traditional silver-halide photographic paper with a high-gloss surface. This process is known for its exceptional tonal depth, smooth gradation, and color fidelity. When mounted to an aluminum composite panel, the result is a refined, luminous print with a sense of depth and dimensionality that closely reflects the experience of viewing the original scene. Chromogenic printing is often chosen for images that rely on subtle transitions, atmospheric depth, and a more classical photographic presence.

Dye-sublimation prints on aluminum involve infusing the image directly into a coated aluminum surface using heat and pressure. This creates a contemporary presentation with strong clarity, durability, and a distinctive surface quality. Metal prints are particularly well suited to images with bold structure, graphic elements, and strong contrast, offering a clean, modern aesthetic with excellent long-term stability.

Each image is evaluated individually. The selected printing process is chosen to best support the visual and emotional qualities of the photograph.

Each work is released as a limited edition. The edition size represents the total number of prints produced at a specific size, medium, and presentation. Once an edition is sold out, no additional prints of that size, medium, and presentation will be produced.

Different sizes of the same image are treated as separate editions.

Each print is signed and accompanied by a certificate of authenticity. The certificate identifies the title of the work, print size, presentation, edition number, printing process, and year of production.

Artist proofs may exist in limited quantity and are retained by the artist. These proofs are not part of the numbered edition.

Yes. Each work is presented in a frame selected specifically for its size, medium, and intended presentation. Framing is considered an integral part of the finished artwork rather than an optional add-on.

Presentation details are listed on each individual work page. All framed works include an integrated, secure hanging system appropriate for the size and weight of the piece.

Availability inquiries can be submitted through the contact page. Inquiries are responded to personally and include current availability, pricing confirmation, and estimated production timelines.

Yes. Works are produced individually after availability is confirmed. Production is carried out using established professional printing and quality control standards.

Production timelines vary depending on size, medium, and current studio schedule. In most cases, production is completed within two to three weeks of confirmation.

All works are professionally packaged to ensure safe transit. Large-format works are shipped via custom crate and freight service, with a flat shipping rate applied at checkout.

Each work is accompanied by a signed certificate of authenticity, along with related documentation. To ensure these materials arrive safely and remain protected, they may be shipped separately from the artwork.

In most cases, documentation is sent shortly before the print is shipped and may arrive slightly ahead of the artwork.

Because each work is produced specifically for the collector, all sales are considered final. In the rare event that a work is damaged during transit, please contact me promptly so the matter can be appropriately addressed.

Works should be displayed away from direct sunlight and excessive humidity. Stable indoor environments are recommended to preserve the appearance of the print and its presentation over time.

Print surfaces may be gently cleaned with a soft, dry cloth.

A small selection of my works can be viewed in person at Engel’s Alterations in Puyallup, Washington. Availability varies, and the full body of work is presented online.

No. Purchase of a print does not transfer copyright or reproduction rights. All rights remain with the artist.